Bob Marley playlist

Friday, 13. May 2011

Bob-Marley

We mark the 30th anniversary of Marley’s death with a playlist of hits, obscurities and surprising cover version.

I Shot the Sheriff
Before most people had heard of Marley or the Wailers, they’d heard Eric Clapton’s anodyne version of his cop-killer song. Marley had wanted to sing “I shot the police,” but to do so would have fed the feud between Jamaican cops and the group that had already seen Bunny Wailer jailed on trumped-up charges. The song gave Clapton his only US number one, a debt he repaid with a drunken onstage rant about “fucking Jamaicans” the following year. In typical Marley fashion, the song slips from narrative into folk saying: “Every day the bucket a go a well, one day the bottom a go drop out.” Think about it.

No Woman, No Cry
The live version, recorded at London’s Lyceum in 1975, became Bob’s breakthrough hit. It’s still the one song that non-fans recognise and love. The big romantic chorus alternates with verses reminiscing about Bob’s days scuffling in Trenchtown and a second chorus that affirms the central promise of pop: “Everything’s gonna be alright.” Bob handed the songwriting credits to a friend, Vincent Ford, in gratitude for old times.

Get Up, Stand Up
A famous crowd-pleaser, with its singalong, militant chorus. Co-written with fellow Wailer Peter Tosh, the song has a political refrain but the three verses are pure Rasta, rejecting pie-in-the-sky Christianity for the belief that “Almighty God is a living man” (ie Haile Selassie).

Redemption Song
Endlessly covered, Bob’s swansong is as tender as it is profound. At the time he wrote it, Marley already suspected his days were numbered. The final track on his final album, the song is delivered, uncharacteristically, to solo acoustic guitar, heightening its intimate tone. Some lyrics are borrowed from a Selassie speech (”Emancipate yourself from mental slavery”), others from Revelation (”the bottomless pit”), but at the centre of the song is the simple retrospective confession of a man who grew from poverty to greatness: “All I ever had, these songs of freedom.”

Top Ten Songs When You’re High!

Thursday, 12. May 2011

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Here’s a list of songs that takes you 10000 miles away when you’re under the influence of a psychedelic substance (be careful still!) I have experienced it myself, so go for it!

1/ Pink Floyd: Echoes http://www.dailymotion.com/videox27085

2/Pink Floyd: Shine On You Crazy Diamonds  YouTube Preview Image

3/The Velvet Underground: Heroin YouTube Preview Image

4/Pat Methey And Lyle Mays: As Falls Wichita, So Falls Wichita Falls YouTube Preview Image

5/Dream Theater: Octavarium YouTube Preview Image

6/Jaco Pastorius: Continuum YouTube Preview Image

7/Miles Davis: In a Silent Way/It’s About That Time YouTube Preview Image

8/Armin Van Buuren: Imagine YouTube Preview Image

9/King Crimson: Epitath YouTube Preview Image

10/Liquid Tension Experiment: Liquid Dreams YouTube Preview Image

Enjoy! :)

Discover artists and songs

Friday, 29. April 2011

I established this small list, with diverse artists, diverse kinds, with links YouTube to be able to listen to directly.
The purpose is to make discover to the curious some new sounds, discuss a little music in a quiet atmosphere.

[Post-rock/electronica/math rock] Maybeshewill

YouTube Preview Image
[Jazz-rap] Artofficial
[Ambient/IDM] sayCet
[Shoegaze/Post-rock] M83
[Trip-hop/rap] Kenichiro Nishihara
[Indie rock/post-punk] White Lies
[Experimental/Trip-hop/alternativ] Björk
[Rock, progressif metal] Porcupine Tree
[Indie rock] Foals
[Rap] Cyne
[Trip-hop] Metaform
[Folk] Asaf Avidan & The Mojos
[Post-rock] God Is An Astronaut
[Reggae] Groundation
[Jazz] Winterplay
[Indie rock] Bombay Bicycle Club
[Rap -fr] La Rumeur
[Garage rock] Sheraff
[Alternatif Rock] The Good, the Bad & the Queen
[Rap -fr] L’Indis
[Acoustic guitar] John Butler
[Acoustic guitar] Tommy Emmanuel
[Buckethead] Buckethead
[Rock] Polvo
[Electro/Dubstep] Deadmau5
[Post-rock] And So I Watch You From Afar
[Post-rock/Ambient] The American Dollar
[Rap -fr] Fayçal
[Rap] Witness
[Electro/Dubstep] Rustie
[Post-metal] Exxasens

[Minimal techno] Martin Buttrich

[Trip-hop] Arts The Beatdoctor
[Electro] The Subs
[New age] Dead Can Dance
[Rock] Arcane Roots
[IDM/Ambient] Access To Arasaka

Playlist number 1

Friday, 8. April 2011

Hey folks, here’s my playlist of the moment:

-Ahmad Jamal Autumn Leaves. Jazz

When the famous jazz-pianist Jamal covers the classic standard (along Jarrett, Davis, Piaf and Jordan) from Joseph Kosma and Jacques Prevert, it gives us an extraordinary lesson of sensibility, passion and virtuosity. A great way to discover this 60 years old classic tune.

-Michael Brecker Song For Bilbao. Jazz

If you don’t know the late Michael Brecker, then you’ll have to listen to this tune. The man, critically considered as the “best saxophone player of the post-Coltrane era”, will blow your mind with his amazing scales and improvisationnal skills. The song has become a standard in Brecker, and has been covered many times by the Pat Metheny Group (Metheny playing some Synth-Guitar on the present tune). A very powerful and unifying piece of music.

-André 3000 (Outkast) Love Hater: Funk/R’n'B/Pop

When the grammy winner André Benjamin from Outkast realeased “The Love Below” in the double Outkast CD, he maybe didn’t knew he’d give music and pop a whole new personnal touch. Including some jazz, rock and soft pop in his own composition, it results of an amazing CD. Love Hater, the second tune, starts with a grungy wah guitar that transforms itself into a cool jazz rythm introducing Benjamin’s smoothie voice, to finish in a pop jazz rock expressing tune. If you only know the song “Hey Ya”, you will have to RUN in order to listen to the complete album, it’s a slap in the face of musicians and commercial-music listenning people.

-Flora Purim Las Olas: Jazz/Latin/World

Well-known in South America, Airto Moreira’s wife Flora Purim is an amazing artist in the jazz landscape. Working with the top-class musicians during her whole career, working with Chick Corea’s Return to Forever, Wayne Shorter and Dizzy Gillepsie.. The present song introduces the amazing all-star pianist Herbie Hancock, and the late genius Jaco Pastorius on fretless bass. In order to appreciate the tune with the right ears, you’ll have to be in a cool and relaxed situation and let the song surround you so that it will lead you to undefinited feelings of pleasure.

-Seu Jorge América Do Norte (live): Samba Rock/ Funk/ Soul

The popular bresilian singer Seu Jorge is a real phenomenon. His voice and the way he entertains just blow my mind. And that song is the perfect exemple of the energy that is going through his live concerts. The heady chorus got stocked in my head for days, and I’m pretty certain that you will want to become a brasilian citizen after trying to sing it.

-Tricky Hakim: Trip Hop/ Alternative/ World

Underground and trip hop legend Tricky just released his new album “Mixed Race” last year. Not his best creation, the Bristol native singer still manages to take us to another inside trip to his sensitivity. But, as a matter of fact, the song that hooked my ear was the unelectrified tune “Hakim”. Influenced by Raï music, Trick called algerian friend Hakim Hamadouche to come and play his mandoluth and sing on his album. This results of a touching oriental song that breaks the traditionnal “Trip-Hop” influenced album. Some fans will be scared of that direction he took but in the end it is clever and exotic.

-Frank Gambale & Mauricio Colonna El Prado: Flamenco/ Jazz

The meeting between jazz-fusion guitarist legent Gambale and the amazing flamenco player Mauricio Colonna is a blowing-mind record. In fact, it should be considered as another “guitar duo” genius such as Al Di Meola and Paco de Lucia. As an opening song, “El Prado” is VERY powerful, and gives us a demonstration of what flamenco guitar without thinking of the hardness involved. The professionnal and great fusion playing of Gambale fits perfectly with the agressive and virtuoso playing of Colonna, the flamenco master. And that’s a gift they have offered to us listenners.

-Bernard Lavilliers On The Road Again: Vocal/Pop/World

French singer Bernard Lavilliers is an UFO. I personnally think he’s one of the best french singer, because he has always managed to take the best from every other musical influence and to incorporate it in his music. Mostly influenced by Brasil and South America, Lavilliers can take the essence of tango, caribbean music, progressive rock and soft pop to create his melancholic/romantic oriented songs. The present song is his greatest hit, and the best introduction to his art. But his whole career is worth it, and especially his latest album, Causes Perdues et Musiques Tropicales, is REALLY good.

-Miles Davis Hannibal: Jazz/Jazz Rock

Miles is a genius, everybody knows this. From the classic jazz period of Kind Of Blue to the pop instrumental You’re Under Arrest and getting through the electric Bitches Brew, he has always managed to manipulate each musical style to his creativity. With Amandla, released in 1989, Miles got Marcus Miller to produce his album once again and compose some amazing tunes. And that one, Hannibal, is a pretty good example of what smoothie jazz-rock should sound. Miller, Kenny Garrett, Don Alias or George Duke are part of what we could call Mile’s last dream team (he passed away in 1991). The perfection of soloing, added to the quality of the arrangements makes this piece of music a classic Davis tune.